This post belongs to the #AtoZchallenge 2024, where I attempt to turn a word a day into something that can be used in Role Playing Games.

The Iambus is an archaic Greek poetry genre strongly connected with the goddess Demeter and features vitriol and abuse. According to myth, it was invented by Iambe who wanted to cheer up a Demeter and told her utterly profane poems.

This kind of behaviour exists in other cults to, it is an deliberate attempt to reinforce normalcy by stressing absurdity. It usually uses blame to draw attention to dangerous or unsuitable behaviour. There were basically two schools of Iambe: one that focusses on vitriol and crassness, and one that focusses on carefully crafted poems which are a little less vulgar, but just as biting. Still, both are considered some kind of lower class poetry for the masses by distinguished poets.

How to integrate it into your typical fantasy RPG?

• Have your super civilized toga wearers sing epic rap battles! I mean, fancy Iambic verse battles, of course.
• Or have your typical warrior cultures like orcs or barbarians be strong in impromptu poetry, with carefully crafted insults to mock others.
• Rituals need not necessarily be spoken in solemn voices, but might include profanity.
• Use it as an compass that shouts profanities if you go wrong, but becomes nicer when walking where it wants you to walk.

This post belongs to the #AtoZchallenge 2024, where I attempt to turn a word a day into something that can be used in Role Playing Games.

Today, we consider Heath an idyllic, quaint Shrubland, overgrown by Heath (that is, the rather beautifully blooming plant species Erica and Calluna). That mostly owes to a checkered history though: Heath was a poor place, where the poorest parts of society eked out an existence. It had little to offer, as soils were poor and unsuited for many crops. It was depletion, which only left shepherding and beekeeping as economic activities, that created our quaint heaths. Otherwise, it would have turned into pine forests.

Thus, heath was considered one of the archetypical places of wilderness, where one needed to beware of evil and the inhabitants were less civilized humans lived (hence the word heathens used for unbelievers in English).

The Calluna species of plants is very hardy and long lasting, thus making for good building materials.

How to integrate it into your typical fantasy RPG?

• The Broom Gnomes: After a long war against their dwarven neighbours, the gnomes lost and their woods were cut down for mining and tooling. Now, they live a destitute life in their former woods, hiding behind their illusions to keep from enemies. They are mostly known for their broom exports, but also create shields and other material from the local heath to pay their tribute to their dwarven overlords, against whom they still hold a grudge.
• Elves could be interested in heath, which is a durable wood, but know fully well that only depletion causes their large-scale growth. This causes quite a black market for heath smuggled in from human lands.
• A sheep demon could be interested in keeping the heath, counteracting druidic attempts at renaturalization.

This post belongs to the #AtoZchallenge 2024, where I attempt to turn a word a day into something that can be used in Role Playing Games.

The Ghawazi is a female dancer that dances traditional rural Egyptian dances in public, these dances later evolved into modern belly-dancing. They were often not danced alone, but accompanied by narration and music. Strangely enough, the word originally meant conqueror, because the dancers conquered the audiences hearts. Originally, they were not considered erotic dancers, but that changed during the 19th century.

Funny enough, belly-dancing seems to be an enormously healthly kind of sport, which improves dexterity and strength, while also relaxing the spine.

How to integrate it into your typical fantasy RPG?

• They could be a take on the amazon society: a feared female warrior society, known for conquering wherever they please, but who in civilian life favour belly-dancing.
• Or, of course, the warrior looks for a trainer who has him learn belly-dancing.
• The Ghawazi could be a school of magicians specialized in charm spells.

This post belongs to the #AtoZchallenge 2024, where I attempt to turn a word a day into something that can be used in Role Playing Games.

A Fugue is first and foremost a technique to compose music, where a theme is repeated in a slightly different form (akin to the Latin root of the word, which means both „to flee“ and „to chase“). One can imagine a fugue as the theme first fleeing, and then being chased by the second voice, or as a leader stressing a topic which is then echoed by his companions. There is also a psychic illness called Dissociative fugue, which consists of forgetting the own identity combined with unexpected wandering.

How to integrate it into your typical fantasy RPG?

It could be a curse that sets your adventurer back to level 1 with random proficiencies, when the curse is removed the new proficiencies (or at least XP) are added to the main class.

It could be a magic spell that allows two (or more) characters to work in tandem. As long as all of them work together and exactly copy the actions taken by the first acting character, they gain a bonus, but if their harmony is broken, they incur a penalty for the rest of the scene.

It could be magical instrument: When played, it causes fear among the enemies, but also forces at least a token amount of allies to chase them.

This post belongs to the #AtoZchallenge 2024, where I attempt to turn a word a day into something that can be used in Role Playing Games.

An egress is basically the right or ability to leave a place to somewhere else, so basically a fanciful way to say exit. It is mainly used in scientific terms when exit already has another mean, like for signal leakage (electromagnetic fields leaving their containment), as part of an astronomic transit (when a planet moves in front of another), and in network traffic control. It is also a grammatical case describing the act of leaving one place to reach another in certain Uralic languages.

How to integrate it into your typical fantasy RPG?

• Chalk or coal of egress as a magic item. If you draw a door with this item, you can return to the entrance of the place you are in.
• The chalk or coal of egress could also be (partially) cursed, only returning you to the entrance in 1 of 6 cases, while otherwise leaking you to a random spot of the structure you are in.
• An egress filter on the other hand could be a cursed item that prevents you from leaving a place. A Remove Curse will inactivate the filter to allow you to leave once, but the Curse reactivates the next time the filter is returned to the prison. The curse can be transfered if it is freely taken by another person (that means: the person is not under influence of mind influencing drugs or magic). This filter can have any shape or consistency, but should be somewhat valuable.

This post belongs to the #AtoZchallenge 2024, where I attempt to turn a word a day into something that can be used in Role Playing Games.

A Diwan can be a whole lot of things. It started its life as a clay tablet in ancient Sumer, which then became a state’s register, then a public administration, than the room (reception hall or council chamber) where officials met, then finally into a kind of sofa often placed into those rooms, and finally into works of arts (usually poetry) created on that sofa.

How to integrate it into your typical fantasy RPG?

• The divan could be a very specific way to cast Speak with Dead, Commune or similar spells, drawing on the wisdom of courtiers or poets (depending on the site’s background). Maybe freshly appointed local notables have to pilger there before starting in their new office.
• It could also be an usurpator who wants the ancestors to authorize his rule, or a desperate ruler attempting this as a last resort to keep his crumbling realm intact.
• On a totally different axis, the diwan might be an ancient stone tablet that has been so utterly infused by the idea of law that it acts as a ward against creatures of chaos (like the spell Protection from Chaos).
• A silver-tongued ruler might use the diwan to enthrall his subjects: As long as one sits on the diwan and does not wear the ruler’s sigil ring, one is affected by Charm Person or Mammal toward the wearer of the sigil ring.

This post belongs to the #AtoZchallenge 2024, where I attempt to turn a word a day into something that can be used in Role Playing Games.

A Cordel is just a piece of architecture: A kind of bracket that holds another part of the building that stands out and over the floor beneath. Rich builders often had them beautifully adorned, giving them shape of saints, dieties or imposing animals. (The corbel page on Wikipedia has some good examples.)

How to integrate it into your typical fantasy RPG?

• Small gargoyles or golems could hide between the structural corbels, preventing adventurers from simply smashing them willy-nilly less the ceiling takes offense and crushes them.
• They could demand a bribe to let the party through without making a ruckus, which would trigger a random encounter roll.
• Instead of an enemy, a treasure could be hidden among the corbels – a figurine of wonder perhaps.
• Corbels could be part of a riddle, where they cause a magical effect depending on what they represent. If triggered in the right order, they could open some treasure.

This post belongs to the #AtoZchallenge 2024, where I attempt to turn a word a day into something that can be used in Role Playing Games.

Back in the day, only proper Christian might enter the sanctified part of a church, that means, the church proper. One also needed a place to turn the run-of-the-mill pagan into a proper Christian, and that place was the Baptistery: Either an antechamber of a proper church, or, more often, an usually octagonal chapel used for instructions in catechism that ended with the baptism. They were closely supervised and sealed if not in use, as they were not sanctified.

If possible, baptisteries were built at the site of sacred natural springs, as those a) provided sufficient water for the whole immersion of the applicant and b) prevented those pesky pagans from sacrificing to their water idols.

They mostly fell out of use when Christianity became established as main religion during the Middle Ages, which makes them common archaeological discoveries in former Christian countries (like Syria).

How to integrate it into your typical fantasy RPG?

• It could be an antechamber for the temple of a diety connected to water, and to get into the temple proper, one actually has to dive through the pool. As protective measure it might require a small ritual that all faithful would know by heart, but that infidels would usually not think of (like reciting a typical prayer or a small sacrifice).
• Instead of a temple, it could also be an entrance a dungeon that was once sealed away by a water diety.
• They could be used as a magic pool, as described for example in the Dungeon Alphabet or the Dungeon, that only activates if the user enters them naked, or three times, or both.
• They could be a way to remove curses by anyone who knows the proper ritual, located at dangerous and difficult to reach places.

This post belongs to the #AtoZchallenge 2024, where I attempt to turn a word a day into something that can be used in Role Playing Games.

Attar is a perfume created with traditional Middle Eastern and Indian processes, an hydro-destillation with ‘Degs & Bhapka’. Basically, water is heated in the Deg, the water vapor then extracts the aromatic oil, and condenses in the Bhapka, where water and oil are separated.

As most traditional techniques, it was also used for rituals and medical purposes.

How to integrate it into your typical fantasy RPG?

• Medically, there were said to be warm and cold Attars. Warm Attars like saffrons were used in winter to keep the wearer warm, cold Attars like jasmine were used in summer to cool you down. Those could be used as a strongly smelling oil of Protection against Fire or Ice, which will decrease the wearers chance to smell its environment while basically ensuring he will be smelled by anyone around.
• Attars are light (because they need to be diluted with water before use), easily stored and expensive – and thus ideal goods for adventurers to carry around and bribe important people with.
• Major magic ritual often require incences, and it might well be necessary to consult an Attar craftsman to find the correct scent for your ritual (or perhaps an almost indistinguishable one to thwart a rival’s ritual).
• Certain scents could require monster parts to distill, like Musk or Ambergris. Especially various plant based monsters would fit very well for this purpose. Since Attar are expensive, Attar craftsmen could pay good money for those parts and allow low- to mid-level adventurers a source of income without having any mages involved.
• A necromancer (or fire/ice conjurer) could combine the warmth (coolness) of Attar to hide his summonings. Have skeletons that smell like saffron to hide their smell and their chillness at the same time! Same with fire conjurers who hide the sulphur smell. Ice conjurers would, of course, use jasmine covered snow-folk instead.